Thumbnails & Intro - Outro Design

💓Importance of YouTube Video Thumbnails

YouTube video thumbnails are a critical element of a video's success on the platform. They serve several important purposes and can significantly impact a video's performance and viewer engagement. 


Here are some reasons highlighting the importance of YouTube video thumbnails:


  1. Grabbing Attention: A compelling thumbnail is the first thing potential viewers see when browsing YouTube. It's essentially your video's "first impression." A well-designed thumbnail can quickly grab the viewer's attention and entice them to click on your video.
  2. Click-Through Rate (CTR): The CTR is a key metric on YouTube. It measures the percentage of people who click on your video after seeing it. A high CTR is a strong indicator of the video's appeal, and an attractive thumbnail can contribute to an increased CTR.
  3. Differentiation: YouTube is flooded with content on virtually every topic. A unique and visually appealing thumbnail can help your video stand out from the crowd, making it more likely to be noticed in search results, recommendations, and related videos.
  4. Content Preview: Thumbnails provide a glimpse of what the video is about. An effective thumbnail can convey the video's topic, tone, and quality, helping viewers decide if it's what they're looking for.
  5. Branding: Consistent thumbnail design can help establish and reinforce your channel's branding. Viewers may recognize your videos more easily, leading to increased trust and loyalty.
  6. Mobile-Friendly: Many viewers access YouTube on mobile devices with smaller screens. Thumbnails must be visually clear and compelling, even at smaller sizes, to ensure that viewers on all devices can engage with your content.
  7. SEO and Discovery: YouTube's algorithm considers several factors when recommending videos to users. Thumbnails are one of those factors. A good thumbnail can make your video more discoverable and increase its chances of being recommended to relevant audiences.
  8. Shareability: When viewers share your video on social media or other platforms, the thumbnail often serves as the preview image. An appealing thumbnail can encourage more people to click on shared links.
  9. Viewer Retention: A misleading or unattractive thumbnail can lead to quick video abandonment, as viewers may feel the video does not meet their expectations. A well-designed thumbnail can attract the right audience and contribute to higher viewer retention rates.
  10. Clickbait Concerns: While enticing thumbnails is essential, it's crucial to strike a balance between attracting viewers and delivering on the promise of the video content. Overly clickbaity thumbnails that misrepresent the video's content can harm your channel's credibility and result in viewer disappointment.



In summary, YouTube video thumbnails play a crucial role in attracting viewers, increasing click-through rates, and helping your videos succeed on the platform. Creating high-quality, relevant, and visually appealing thumbnails is an essential part of a successful YouTube content strategy.






💓Importance of YouTube Intro


A YouTube intro, short for introduction, is a brief segment at the beginning of a YouTube video that serves to grab the viewer's attention and set the tone for the content that follows. 


While the importance of a YouTube intro can vary depending on the content creator's style and the nature of the channel, there are several reasons why many creators find intros valuable:


1. Branding: A well-designed intro can help establish and reinforce your channel's brand identity. This includes using consistent visuals, music, and other elements that viewers associate with your content.


2. Professionalism: An engaging intro can give your videos a more professional feel. It shows that you've put thought and effort into the production of your content, which can enhance your credibility and appeal to viewers.


3. Viewer Engagement: A captivating intro can hook viewers from the start, encouraging them to watch the entire video. It sets the tone for what's to come and can generate excitement or curiosity, helping to retain viewer attention.


4. Recognition: Over time, a recognizable intro can become synonymous with your channel. Viewers may come to associate the intro with the content they enjoy, making it easier for them to identify and remember your videos.


5. Content Differentiation: In a vast sea of YouTube content, an intro can help your videos stand out. It adds a unique touch to your content and distinguishes it from others, making it more memorable for viewers.


6. Promotion and Cross-Platform Consistency: If you share your videos on other platforms or social media, a consistent intro helps maintain a cohesive brand presence. It becomes a recognizable element that viewers can associate with your content, regardless of where they encounter it.


7. Transition: An intro can serve as a smooth transition from your thumbnail or title to the actual content of the video. It provides a brief moment for viewers to settle in and prepares them for the main content.


While a YouTube intro can be a valuable tool, it's important to strike a balance. Intros that are too long or overly complex may lead to viewer frustration or disinterest. Many successful creators opt for short, snappy intros that quickly engage the audience without delaying the main content. Ultimately, the effectiveness of a YouTube intro depends on how well it aligns with your channel's goals and resonates with your target audience.






💓Importance of YouTube Outro


A YouTube outro, also known as an end screen or end card, is a critical element for any YouTube video. It serves several important purposes, contributing to the overall success and professionalism of your content. Here are some key reasons why a YouTube outro is important:


1. Promotion of Other Videos:

The outro provides an opportunity to showcase and promote other videos on your channel. This can increase viewer engagement and retention by directing them to more of your content that they might find interesting.


2. Encourages Subscriber Growth:

Including a call-to-action (CTA) for viewers to subscribe to your channel can help boost your subscriber count. This is crucial for building a loyal audience and increasing the visibility of your videos.


3. Enhances Viewer Interaction:

Outros often include interactive elements such as clickable buttons, links, or annotations. These can lead viewers to playlists, related videos, or external websites, providing a more interactive experience.


4. Professionalism and Branding:

A well-designed outro adds a professional touch to your videos and reinforces your channel's branding. Consistent branding helps viewers recognize your content and builds trust over time.


5. Monetization Opportunities:

For content creators looking to monetize their YouTube channels, the outro can be a space to promote merchandise, sponsorships, or other revenue-generating opportunities. You can include links to products, affiliate marketing, or Patreon pages.


6. Viewer Retention:

A well-crafted outro can help retain viewers by suggesting additional content they may enjoy. This can contribute to a longer viewing session, which is a positive signal to YouTube's algorithm and can improve your video's performance in search and recommendations.


7. Community Engagement:

Outros can be used to encourage viewers to leave comments, ask questions, or participate in polls. This fosters community engagement and can help you build a stronger connection with your audience.


8. Cross-Promotion:

If you collaborate with other YouTubers or have multiple channels, the outro is an excellent place to cross-promote each other's content. This can help both channels reach a broader audience.


9. Adaptability:

Outros are versatile and can be adapted for different purposes. You can tailor them based on the type of content you create or the specific goals you have for a particular video.


In summary, a YouTube outro is a valuable tool for content creators, offering opportunities for promotion, engagement, branding, and revenue generation. It's a strategic element that shouldn't be overlooked in the overall content creation process.







💓YouTube Outro āĻāϰ āĻ—ুāϰুāϤ্āĻŦ


āĻāĻ•āϟি āχāωāϟিāωāĻŦ āφāωāϟāϰো, āĻāĻ•āϟি āĻļেāώ āϏ্āĻ•্āϰিāύ āĻŦা āĻāύ্āĻĄ āĻ•াāϰ্āĻĄ āύাāĻŽেāĻ“ āĻĒāϰিāϚিāϤ, āϝে āĻ•োāύো YouTube āĻ­িāĻĄিāĻ“āϰ āϜāύ্āϝ āĻāĻ•āϟি āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āωāĻĒাāĻĻাāύ। āĻāϟি āφāĻĒāύাāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āϏাāĻŽāĻ—্āϰিāĻ• āϏাāĻĢāϞ্āϝ āĻāĻŦং āĻĒেāĻļাāĻĻাāϰিāϤ্āĻŦে āĻ…āĻŦāĻĻাāύ āϰেāĻ–ে āĻŦিāĻ­িāύ্āύ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āωāĻĻ্āĻĻেāĻļ্āϝে āĻ•াāϜ āĻ•āϰে। āĻāĻ–াāύে āĻ•িāĻ›ু āĻŽূāϞ āĻ•াāϰāĻŖ āϰāϝ়েāĻ›ে āĻ•েāύ āĻāĻ•āϟি YouTube āφāωāϟāϰো āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ:


1. āĻ…āύ্āϝাāύ্āϝ āĻ­িāĻĄিāĻ“āϰ āĻĒ্āϰāϚাāϰ:

āφāωāϟāϰো āφāĻĒāύাāϰ āϚ্āϝাāύেāϞে āĻ…āύ্āϝাāύ্āϝ āĻ­িāĻĄিāĻ“ āĻĒ্āϰāĻĻāϰ্āĻļāύ āĻāĻŦং āĻĒ্āϰāϚাāϰ āĻ•āϰাāϰ āĻāĻ•āϟি āϏুāϝোāĻ— āĻĒ্āϰāĻĻাāύ āĻ•āϰে। āĻāϟি āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āφāĻ•āϰ্āώāĻŖ āĻāĻŦং āϧāϰে āϰাāĻ–āϤে āĻĒাāϰে āφāĻĒāύাāϰ āφāϰāĻ“ āĻŦেāĻļি āϏাāĻŽāĻ—্āϰীāϤে āύিāϰ্āĻĻেāĻļিāϤ āĻ•āϰে āϝা āϤাāĻĻেāϰ āφāĻ•āϰ্āώāĻŖীāϝ় āĻŽāύে āĻšāϤে āĻĒাāϰে।


2. āĻ—্āϰাāĻšāĻ• āĻŦৃāĻĻ্āϧিāĻ•ে āĻ‰ā§ŽāϏাāĻšিāϤ āĻ•āϰে:

āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āφāĻĒāύাāϰ āϚ্āϝাāύেāϞে āϏাāĻŦāϏ্āĻ•্āϰাāχāĻŦ āĻ•āϰাāϰ āϜāύ্āϝ āĻāĻ•āϟি āĻ•āϞ-āϟু-āĻ…্āϝাāĻ•āĻļāύ (CTA) āĻ…āύ্āϤāϰ্āĻ­ুāĻ•্āϤ āĻ•āϰা āφāĻĒāύাāϰ āĻ—্āϰাāĻšāĻ• āϏংāĻ–্āϝা āĻŦাāĻĄ়াāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤে āĻĒাāϰে। āĻāϟি āĻāĻ•āϟি āĻŦিāĻļ্āĻŦāϏ্āϤ āĻĻāϰ্āĻļāĻ• āϤৈāϰি āĻ•āϰāϤে āĻāĻŦং āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āĻ—ুāϞিāϰ āĻĻৃāĻļ্āϝāĻŽাāύāϤা āĻŦাāĻĄ়াāύোāϰ āϜāύ্āϝ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ৷


3. āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻŽিāĻĨāϏ্āĻ•্āϰিāϝ়া āωāύ্āύāϤ āĻ•āϰে:

āφāωāϟāϰোāϤে āĻĒ্āϰাāϝ়āχ āχāύ্āϟাāϰেāĻ•্āϟিāĻ­ āωāĻĒাāĻĻাāύ āĻ…āύ্āϤāϰ্āĻ­ুāĻ•্āϤ āĻĨাāĻ•ে āϝেāĻŽāύ āĻ•্āϞিāĻ•āϝোāĻ—্āϝ āĻŦোāϤাāĻŽ, āϞিāĻ™্āĻ• āĻŦা āϟীāĻ•া। āĻāĻ—ুāϞি āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āφāϰāĻ“ āχāύ্āϟাāϰেāĻ•্āϟিāĻ­ āĻ…āĻ­িāϜ্āĻžāϤা āĻĒ্āϰāĻĻাāύ āĻ•āϰে āĻĒ্āϞেāϞিāϏ্āϟ, āϏāĻŽ্āĻĒāϰ্āĻ•িāϤ āĻ­িāĻĄিāĻ“ āĻŦা āĻŦāĻšিāϰাāĻ—āϤ āĻ“āϝ়েāĻŦāϏাāχāϟāĻ—ুāϞিāϤে āύিāϝ়ে āϝেāϤে āĻĒাāϰে।


4. āĻĒেāĻļাāĻĻাāϰিāϤ্āĻŦ āĻāĻŦং āĻŦ্āϰ্āϝাāύ্āĻĄিং:

āĻāĻ•āϟি āĻ­াāϞ āĻĄিāϜাāχāύ āĻ•āϰা āφāωāϟāϰো āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āĻ—ুāϞিāϤে āĻāĻ•āϟি āĻĒেāĻļাāĻĻাāϰ āϏ্āĻĒāϰ্āĻļ āϝোāĻ— āĻ•āϰে āĻāĻŦং āφāĻĒāύাāϰ āϚ্āϝাāύেāϞেāϰ āĻŦ্āϰ্āϝাāύ্āĻĄিংāĻ•ে āĻļāĻ•্āϤিāĻļাāϞী āĻ•āϰে৷ āϧাāϰাāĻŦাāĻšিāĻ• āĻŦ্āϰ্āϝাāύ্āĻĄিং āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āφāĻĒāύাāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤু āϚিāύāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰে āĻāĻŦং āϏāĻŽāϝ়েāϰ āϏাāĻĨে āϏাāĻĨে āφāϏ্āĻĨা āϤৈāϰি āĻ•āϰে।


5. āύāĻ—āĻĻীāĻ•āϰāĻŖেāϰ āϏুāϝোāĻ—:

āĻŦিāώāϝ়āĻŦāϏ্āϤু āύিāϰ্āĻŽাāϤাāĻĻেāϰ āϜāύ্āϝ āϝাāϰা āϤাāĻĻেāϰ YouTube āϚ্āϝাāύেāϞāĻ—ুāϞি āύāĻ—āĻĻীāĻ•āϰāĻŖ āĻ•āϰāϤে āϚাāχāĻ›েāύ, āφāωāϟāϰোāϟি āĻĒāĻŖ্āϝāĻĻ্āϰāĻŦ্āϝ, āϏ্āĻĒāύāϏāϰāĻļিāĻĒ āĻŦা āĻ…āύ্āϝাāύ্āϝ āφāϝ়-āĻ‰ā§ŽāĻĒাāĻĻāύ āĻ•āϰাāϰ āϏুāϝোāĻ—āĻ—ুāϞি āĻĒ্āϰāϚাāϰ āĻ•āϰাāϰ āĻāĻ•āϟি āϏ্āĻĨাāύ āĻšāϤে āĻĒাāϰে। āφāĻĒāύি āĻĒāĻŖ্āϝ, āĻ…āύুāĻŽোāĻĻিāϤ āĻŦিāĻĒāĻŖāύ, āĻŦা Patreon āĻĒৃāώ্āĻ াāĻ—ুāϞিāϰ āϞিāĻ™্āĻ• āĻ…āύ্āϤāϰ্āĻ­ুāĻ•্āϤ āĻ•āϰāϤে āĻĒাāϰেāύ।


6. āĻĻāϰ্āĻļāĻ• āϧāϰে āϰাāĻ–া:

āĻāĻ•āϟি āϏুāϏāϜ্āϜিāϤ āφāωāϟāϰো āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āϤাāϰা āωāĻĒāĻ­োāĻ— āĻ•āϰāϤে āĻĒাāϰে āĻāĻŽāύ āĻ…āϤিāϰিāĻ•্āϤ āϏাāĻŽāĻ—্āϰীāϰ āĻĒāϰাāĻŽāϰ্āĻļ āĻĻিāϝ়ে āϧāϰে āϰাāĻ–āϤে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤে āĻĒাāϰে। āĻāϟি āĻāĻ•āϟি āĻĻীāϰ্āϘ āĻĻেāĻ–াāϰ āϏেāĻļāύে āĻ…āĻŦāĻĻাāύ āϰাāĻ–āϤে āĻĒাāϰে, āϝা YouTube āĻāϰ āĻ…্āϝাāϞāĻ—āϰিāĻĻāĻŽেāϰ āϜāύ্āϝ āĻāĻ•āϟি āχāϤিāĻŦাāϚāĻ• āϏংāĻ•েāϤ āĻāĻŦং āĻ…āύুāϏāύ্āϧাāύ āĻāĻŦং āϏুāĻĒাāϰিāĻļāĻ—ুāϞিāϤে āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āϰ āĻ•āϰ্āĻŽāĻ•্āώāĻŽāϤা āωāύ্āύāϤ āĻ•āϰāϤে āĻĒাāϰে৷


7. āϏāĻŽ্āĻĒ্āϰāĻĻাāϝ়েāϰ āϏংāϝুāĻ•্āϤি:

āφāωāϟāϰোāϏ āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻŽāύ্āϤāĻŦ্āϝ āĻ•āϰāϤে, āĻĒ্āϰāĻļ্āύ āϜিāϜ্āĻžাāϏা āĻ•āϰāϤে āĻŦা āĻĒোāϞে āĻ…ংāĻļāĻ—্āϰāĻšāĻŖ āĻ•āϰāϤে āωāϤ্āϏাāĻšিāϤ āĻ•āϰāϤে āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা āϝেāϤে āĻĒাāϰে। āĻāϟি āϏāĻŽ্āĻĒ্āϰāĻĻাāϝ়েāϰ āĻŦ্āϝāϏ্āϤāϤাāĻ•ে āĻ‰ā§ŽāϏাāĻšিāϤ āĻ•āϰে āĻāĻŦং āφāĻĒāύাāϰ āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āϏাāĻĨে āĻāĻ•āϟি āĻļāĻ•্āϤিāĻļাāϞী āϏংāϝোāĻ— āϤৈāϰি āĻ•āϰāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤে āĻĒাāϰে।


8. āĻ•্āϰāϏ-āĻĒ্āϰāĻŽোāĻļāύ:

āφāĻĒāύি āϝāĻĻি āĻ…āύ্āϝ YouTubers āĻāϰ āϏাāĻĨে āϏāĻšāϝোāĻ—িāϤা āĻ•āϰেāύ āĻŦা āĻāĻ•াāϧিāĻ• āϚ্āϝাāύেāϞ āĻĨাāĻ•ে, āϤাāĻšāϞে āφāωāϟāϰো āĻāĻ•ে āĻ…āĻĒāϰেāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤু āĻ•্āϰāϏ-āĻĒ্āϰāĻŽোāϟ āĻ•āϰাāϰ āϜāύ্āϝ āĻāĻ•āϟি āϚāĻŽā§ŽāĻ•াāϰ āϜাāϝ়āĻ—া। āĻāϟি āωāĻ­āϝ় āϚ্āϝাāύেāϞāĻ•ে āĻŦৃāĻšāϤ্āϤāϰ āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻ•াāĻ›ে āĻĒৌঁāĻ›াāϤে āϏāĻšাāϝ়āϤা āĻ•āϰāϤে āĻĒাāϰে।


9. āĻ…āĻ­িāϝোāϜāύāϝোāĻ—্āϝāϤা:

Outros āĻŦāĻšুāĻŽুāĻ–ী āĻāĻŦং āĻŦিāĻ­িāύ্āύ āωāĻĻ্āĻĻেāĻļ্āϝে āĻ…āĻ­িāϝোāϜিāϤ āĻšāϤে āĻĒাāϰে. āφāĻĒāύি āϝে āϧāϰāύেāϰ āϏাāĻŽāĻ—্āϰী āϤৈāϰি āĻ•āϰেāύ āĻŦা āĻāĻ•āϟি āύিāϰ্āĻĻিāώ্āϟ āĻ­িāĻĄিāĻ“āϰ āϜāύ্āϝ āφāĻĒāύাāϰ āύিāϰ্āĻĻিāώ্āϟ āϞāĻ•্āώ্āϝāĻ—ুāϞিāϰ āωāĻĒāϰ āĻ­িāϤ্āϤি āĻ•āϰে āφāĻĒāύি āϏেāĻ—ুāϞি āϤৈāϰি āĻ•āϰāϤে āĻĒাāϰেāύ৷


āϏাāϰāϏংāĻ•্āώেāĻĒে, āĻāĻ•āϟি YouTube āφāωāϟāϰো āĻšāϞ āĻŦিāώāϝ়āĻŦāϏ্āϤু āύিāϰ্āĻŽাāϤাāĻĻেāϰ āϜāύ্āϝ āĻāĻ•āϟি āĻŽূāϞ্āϝāĻŦাāύ āĻšাāϤিāϝ়াāϰ, āϝা āĻĒ্āϰāϚাāϰ, āĻŦ্āϝāϏ্āϤāϤা, āĻŦ্āϰ্āϝাāύ্āĻĄিং āĻāĻŦং āϰাāϜāϏ্āĻŦ āĻ‰ā§ŽāĻĒাāĻĻāύেāϰ āϏুāϝোāĻ— āĻĒ্āϰāĻĻাāύ āĻ•āϰে। āĻāϟি āĻāĻ•āϟি āĻ•ৌāĻļāϞāĻ—āϤ āωāĻĒাāĻĻাāύ āϝা āϏাāĻŽāĻ—্āϰিāĻ• āϏাāĻŽāĻ—্āϰী āϤৈāϰিāϰ āĻĒ্āϰāĻ•্āϰিāϝ়াāϤে āωāĻĒেāĻ•্āώা āĻ•āϰা āωāϚিāϤ āύāϝ়।







💓āχāωāϟিāωāĻŦ āĻ­িāĻĄিāĻ“ āĻĨাāĻŽ্āĻŦāύেāχāϞ āĻāϰ āĻ—ুāϰুāϤ্āĻŦ


āχāωāϟিāωāĻŦ āĻ­িāĻĄিāĻ“ āĻĨাāĻŽ্āĻŦāύেāχāϞāĻ—ুāϞি āĻĒ্āϞ্āϝাāϟāĻĢāϰ্āĻŽে āĻāĻ•āϟি āĻ­িāĻĄিāĻ“āϰ āϏাāĻĢāϞ্āϝেāϰ āĻāĻ•āϟি āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āωāĻĒাāĻĻাāύ৷ āĻāĻ—ুāϞি āĻŦেāĻļ āĻ•āϝ়েāĻ•āϟি āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āωāĻĻ্āĻĻেāĻļ্āϝ āĻĒূāϰāĻŖ āĻ•āϰে āĻāĻŦং āĻāĻ•āϟি āĻ­িāĻĄিāĻ“āϰ āĻ•āϰ্āĻŽāĻ•্āώāĻŽāϤা āĻāĻŦং āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻŦ্āϝāϏ্āϤāϤাāĻ•ে āωāϞ্āϞেāĻ–āϝোāĻ—্āϝāĻ­াāĻŦে āĻĒ্āϰāĻ­াāĻŦিāϤ āĻ•āϰāϤে āĻĒাāϰে৷



YouTube āĻ­িāĻĄিāĻ“ āĻĨাāĻŽ্āĻŦāύেāχāϞেāϰ āĻ—ুāϰুāϤ্āĻŦ āϤুāϞে āϧāϰাāϰ āĻ•িāĻ›ু āĻ•াāϰāĻŖ āĻāĻ–াāύে āϰāϝ়েāĻ›ে:



1. āĻŽāύোāϝোāĻ— āφāĻ•āϰ্āώāĻŖ āĻ•āϰা: 

āĻāĻ•āϟি āφāĻ•āϰ্āώāĻ• āĻĨাāĻŽ্āĻŦāύেāχāϞ āĻšāϞ āĻĒ্āϰāĻĨāĻŽ āϜিāύিāϏ āϝা āϏāĻŽ্āĻ­াāĻŦ্āϝ āĻĻāϰ্āĻļāĻ•āϰা YouTube āĻŦ্āϰাāωāϜ āĻ•āϰাāϰ āϏāĻŽāϝ় āĻĻেāĻ–ে। āĻāϟি āĻŽূāϞāϤ āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āϰ "āĻĒ্āϰāĻĨāĻŽ āĻ›াāĻĒ"। āĻāĻ•āϟি āĻ­াāϞ-āĻĄিāϜাāχāύ āĻ•āϰা āĻĨাāĻŽ্āĻŦāύেāχāϞ āĻĻ্āϰুāϤ āĻĻāϰ্āĻļāĻ•েāϰ āĻŽāύোāϝোāĻ— āφāĻ•āϰ্āώāĻŖ āĻ•āϰāϤে āĻĒাāϰে āĻāĻŦং āϤাāĻĻেāϰ āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āϤে āĻ•্āϞিāĻ• āĻ•āϰāϤে āĻĒ্āϰāϞুāĻŦ্āϧ āĻ•āϰāϤে āĻĒাāϰে।


2. āĻ•্āϞিāĻ•-āĻĨ্āϰু āϰেāϟ (CTR): 

CTR āĻšāϞ YouTube-āĻāϰ āĻāĻ•āϟি āĻŽূāϞ āĻŽেāϟ্āϰিāĻ•। āĻāϟি āĻ•āϤ āĻļāϤাংāĻļ āϞোāĻ•ে āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“ āĻĻেāĻ–াāϰ āĻĒāϰে āĻ•্āϞিāĻ• āĻ•āϰে āϤা āĻĒāϰিāĻŽাāĻĒ āĻ•āϰে৷ āĻāĻ•āϟি āωāϚ্āϚ CTR āĻšāϞ āĻ­িāĻĄিāĻ“āϰ āφāĻŦেāĻĻāύেāϰ āĻāĻ•āϟি āĻļāĻ•্āϤিāĻļাāϞী āϏূāϚāĻ• āĻāĻŦং āĻāĻ•āϟি āφāĻ•āϰ্āώāĻŖীāϝ় āĻĨাāĻŽ্āĻŦāύেāχāϞ CTR āĻŦৃāĻĻ্āϧিāϤে āĻ…āĻŦāĻĻাāύ āϰাāĻ–āϤে āĻĒাāϰে।


3. āĻĒাāϰ্āĻĨāĻ•্āϝ: 

āχāωāϟিāωāĻŦ āĻ•াāϰ্āϝāϤ āĻĒ্āϰāϤিāϟি āĻŦিāώāϝ়ে āĻŦিāώāϝ়āĻŦāϏ্āϤু āĻĻ্āĻŦাāϰা āĻĒ্āϞাāĻŦিāϤ āĻšāϝ়. āĻāĻ•āϟি āĻ…āύāύ্āϝ āĻāĻŦং āĻĻৃāĻļ্āϝāϤ āφāĻ•āϰ্āώāĻŖীāϝ় āĻĨাāĻŽ্āĻŦāύেāχāϞ āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āϟিāĻ•ে āĻ­িāĻĄ় āĻĨেāĻ•ে āφāϞাāĻĻা āĻ•āϰে āϤুāϞāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤে āĻĒাāϰে, āĻāϟিāĻ•ে āĻ…āύুāϏāύ্āϧাāύ āĻĢāϞাāĻĢāϞ, āϏুāĻĒাāϰিāĻļ āĻāĻŦং āϏāĻŽ্āĻĒāϰ্āĻ•িāϤ āĻ­িāĻĄিāĻ“āĻ—ুāϞিāϤে āϞāĻ•্āώ্āϝ āĻ•āϰাāϰ āϏāĻŽ্āĻ­াāĻŦāύা āĻŦেāĻļি āĻ•āϰে āϤোāϞে৷


4. āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āĻĒূāϰ্āĻŦāϰূāĻĒ: 

āĻĨাāĻŽ্āĻŦāύেāχāϞāĻ—ুāϞি āĻ­িāĻĄিāĻ“āϟি āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻāĻ•āϟি āφāĻ­াāϏ āĻĻেāϝ়৷ āĻāĻ•āϟি āĻ•াāϰ্āϝāĻ•āϰ āĻĨাāĻŽ্āĻŦāύেāϞ āĻ­িāĻĄিāĻ“āϰ āĻŦিāώāϝ়, āϟোāύ āĻāĻŦং āĻ—ুāĻŖāĻŽাāύ āϜাāύাāϤে āĻĒাāϰে, āϝা āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āϤাāϰা āϝা āĻ–ুঁāϜāĻ›েāύ āϤা āύিāϰ্āϧাāϰāĻŖ āĻ•āϰāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰে৷


5. āĻŦ্āϰ্āϝাāύ্āĻĄিং: 

āϏাāĻŽāĻž্āϜāϏ্āϝāĻĒূāϰ্āĻŖ āĻĨাāĻŽ্āĻŦāύেāχāϞ āĻĄিāϜাāχāύ āφāĻĒāύাāϰ āϚ্āϝাāύেāϞেāϰ āĻŦ্āϰ্āϝাāύ্āĻĄিং āĻĒ্āϰāϤিāώ্āĻ া āĻ“ āĻļāĻ•্āϤিāĻļাāϞী āĻ•āϰāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤে āĻĒাāϰে। āĻĻāϰ্āĻļāĻ•āϰা āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āĻ—ুāϞি āφāϰāĻ“ āϏāĻšāϜে āϚিāύāϤে āĻĒাāϰে, āϝাāϰ āĻĢāϞে āĻŦিāĻļ্āĻŦাāϏ āĻāĻŦং āĻŦিāĻļ্āĻŦāϏ্āϤāϤা āĻŦৃāĻĻ্āϧি āĻĒাāϝ়।


6. āĻŽোāĻŦাāχāϞ-āĻĢ্āϰেāύ্āĻĄāϞি: 

āĻ…āύেāĻ• āĻĻāϰ্āĻļāĻ• āĻ›োāϟ āϏ্āĻ•্āϰীāύ āϏāĻš āĻŽোāĻŦাāχāϞ āĻĄিāĻ­াāχāϏে YouTube āĻ…্āϝাāĻ•্āϏেāϏ āĻ•āϰে। āĻĨাāĻŽ্āĻŦāύেāχāϞāĻ—ুāϞি āĻ…āĻŦāĻļ্āϝāχ āĻĻৃāĻļ্āϝāϤ āĻĒāϰিāώ্āĻ•াāϰ āĻāĻŦং āφāĻ•āϰ্āώāĻ• āĻšāϤে āĻšāĻŦে, āĻāĻŽāύāĻ•ি āĻ›োāϟ āφāĻ•াāϰেāĻ“, āύিāĻļ্āϚিāϤ āĻ•āϰāϤে āĻšāĻŦে āϝে āϏāĻŽāϏ্āϤ āĻĄিāĻ­াāχāϏে āĻĻāϰ্āĻļāĻ•āϰা āφāĻĒāύাāϰ āϏাāĻŽāĻ—্āϰীāϰ āϏাāĻĨে āϝুāĻ•্āϤ āĻšāϤে āĻĒাāϰে৷


7. āĻāϏāχāĻ“ āĻāĻŦং āĻĄিāϏāĻ•āĻ­াāϰি: 

āχāωāϟিāωāĻŦেāϰ āĻ…্āϝাāϞāĻ—āϰিāĻĻāĻŽ āĻŦ্āϝāĻŦāĻšাāϰāĻ•াāϰীāĻĻেāϰ āĻ•াāĻ›ে āĻ­িāĻĄিāĻ“ āϏাāϜেāϏ্āϟ āĻ•āϰাāϰ āϏāĻŽāϝ় āĻŦিāĻ­িāύ্āύ āĻŦিāώāϝ় āĻŦিāĻŦেāϚāύা āĻ•āϰে। āĻĨাāĻŽ্āĻŦāύেāχāϞ āϏেāχ āĻ•াāϰāĻŖāĻ—ুāϞিāϰ āĻŽāϧ্āϝে āĻāĻ•āϟি। āĻāĻ•āϟি āĻ­াāϞ āĻĨাāĻŽ্āĻŦāύেāϞ āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āϟিāĻ•ে āφāϰāĻ“ āφāĻŦিāώ্āĻ•াāϰāϝোāĻ—্āϝ āĻ•āϰে āϤুāϞāϤে āĻĒাāϰে āĻāĻŦং āĻĒ্āϰাāϏāĻ™্āĻ—িāĻ• āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻ•াāĻ›ে āĻāϟিāϰ āĻĒ্āϰāϏ্āϤাāĻŦিāϤ āĻšāĻ“āϝ়াāϰ āϏāĻŽ্āĻ­াāĻŦāύা āĻŦাāĻĄ়িāϝ়ে āϤুāϞāϤে āĻĒাāϰে৷


8. āĻļেāϝ়াāϰāϝোāĻ—্āϝāϤা: 

āϝāĻ–āύ āĻĻāϰ্āĻļāĻ•āϰা āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“ āϏোāĻļ্āϝাāϞ āĻŽিāĻĄিāϝ়া āĻŦা āĻ…āύ্āϝাāύ্āϝ āĻĒ্āϞ্āϝাāϟāĻĢāϰ্āĻŽে āĻļেāϝ়াāϰ āĻ•āϰে, āϤāĻ–āύ āĻĨাāĻŽ্āĻŦāύেāϞ āĻĒ্āϰাāϝ়āχ āĻĒূāϰ্āĻŦāϰূāĻĒ āϚিāϤ্āϰ āĻšিāϏাāĻŦে āĻ•াāϜ āĻ•āϰে। āĻāĻ•āϟি āφāĻ•āϰ্āώāĻŖীāϝ় āĻĨাāĻŽ্āĻŦāύেāχāϞ āĻļেāϝ়াāϰ āĻ•āϰা āϞিāĻ™্āĻ•āĻ—ুāϞিāϤে āĻ•্āϞিāĻ• āĻ•āϰāϤে āφāϰāĻ“ āĻŦেāĻļি āϞোāĻ•āĻ•ে āωāϤ্āϏাāĻšিāϤ āĻ•āϰāϤে āĻĒাāϰে৷


9. āĻ­িāωāϝ়াāϰ āϧāϰে āϰাāĻ–া: 

āĻāĻ•āϟি āĻŦিāĻ­্āϰাāύ্āϤিāĻ•āϰ āĻŦা āĻ…āϏ্āĻŦাāĻ­াāĻŦিāĻ• āĻĨাāĻŽ্āĻŦāύেāχāϞ āĻĻ্āϰুāϤ āĻ­িāĻĄিāĻ“ āĻĒāϰিāϤ্āϝাāĻ— āĻ•āϰāϤে āĻĒাāϰে, āĻ•াāϰāĻŖ āĻĻāϰ্āĻļāĻ•āϰা āĻŽāύে āĻ•āϰāϤে āĻĒাāϰেāύ āĻ­িāĻĄিāĻ“āϟি āϤাāĻĻেāϰ āĻĒ্āϰāϤ্āϝাāĻļা āĻĒূāϰāĻŖ āĻ•āϰāĻ›ে āύা। āĻāĻ•āϟি āĻ­াāϞ-āĻĄিāϜাāχāύ āĻ•āϰা āĻĨাāĻŽ্āĻŦāύেāχāϞ āϏāĻ িāĻ• āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āφāĻ•ৃāώ্āϟ āĻ•āϰāϤে āĻĒাāϰে āĻāĻŦং āωāϚ্āϚāϤāϰ āĻĻāϰ্āĻļāĻ• āϧāϰে āϰাāĻ–াāϰ āĻšাāϰে āĻ…āĻŦāĻĻাāύ āϰাāĻ–āϤে āĻĒাāϰে।


10. āĻ•্āϞিāĻ•āĻŦেāϟ āωāĻĻ্āĻŦেāĻ—: 

āĻĨাāĻŽ্āĻŦāύেāχāϞāĻ—ুāϞিāĻ•ে āĻĒ্āϰāϞুāĻŦ্āϧ āĻ•āϰা āĻ…āĻĒāϰিāĻšাāϰ্āϝ, āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āφāĻ•āϰ্āώāĻŖ āĻ•āϰা āĻāĻŦং āĻ­িāĻĄিāĻ“ āϏাāĻŽāĻ—্āϰীāϰ āĻĒ্āϰāϤিāĻļ্āϰুāϤি āĻĒ্āϰāĻĻাāύেāϰ āĻŽāϧ্āϝে āĻāĻ•āϟি āĻ­াāϰāϏাāĻŽ্āϝ āĻŦāϜাāϝ় āϰাāĻ–া āĻ…āϤ্āϝāύ্āϤ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ৷ āĻ…āϤ্āϝāϧিāĻ• āĻ•্āϞিāĻ•āĻŦেāϟি āĻĨাāĻŽ্āĻŦāύেāχāϞ āϝা āĻ­িāĻĄিāĻ“āϰ āĻŦিāώāϝ়āĻŦāϏ্āϤুāĻ•ে āĻ­ুāϞāĻ­াāĻŦে āωāĻĒāϏ্āĻĨাāĻĒāύ āĻ•āϰে āϤা āφāĻĒāύাāϰ āϚ্āϝাāύেāϞেāϰ āĻŦিāĻļ্āĻŦাāϏāϝোāĻ—্āϝāϤাāϰ āĻ•্āώāϤি āĻ•āϰāϤে āĻĒাāϰে āĻāĻŦং āĻāϰ āĻĢāϞে āĻĻāϰ্āĻļāĻ• āĻšāϤাāĻļ āĻšāϤে āĻĒাāϰে।



āϏংāĻ•্āώেāĻĒে, āχāωāϟিāωāĻŦ āĻ­িāĻĄিāĻ“ āĻĨাāĻŽ্āĻŦāύেāχāϞāĻ—ুāϞি āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āφāĻ•ৃāώ্āϟ āĻ•āϰāϤে, āĻ•্āϞিāĻ•-āĻĨ্āϰু āϰেāϟ āĻŦাāĻĄ়াāϤে āĻāĻŦং āĻĒ্āϞ্āϝাāϟāĻĢāϰ্āĻŽে āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āĻ—ুāϞিāĻ•ে āϏāĻĢāϞ āĻ•āϰāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤে āĻāĻ•āϟি āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻ­ূāĻŽিāĻ•া āĻĒাāϞāύ āĻ•āϰে৷ āωāϚ্āϚ-āĻŽাāύেāϰ, āĻĒ্āϰাāϏāĻ™্āĻ—িāĻ•, āĻāĻŦং āĻĻৃāĻļ্āϝāϤ āφāĻ•āϰ্āώāĻŖীāϝ় āĻĨাāĻŽ্āĻŦāύেāϞ āϤৈāϰি āĻ•āϰা āĻāĻ•āϟি āϏāĻĢāϞ YouTube āϏাāĻŽāĻ—্āϰী āĻ•ৌāĻļāϞেāϰ āĻāĻ•āϟি āĻ…āĻĒāϰিāĻšাāϰ্āϝ āĻ…ংāĻļ।







💓YouTube Intro āĻ—ুāϰুāϤ্āĻŦ


āĻāĻ•āϟি YouTube āĻ­ূāĻŽিāĻ•া, āĻĒāϰিāϚিāϤিāϰ āϜāύ্āϝ āϏংāĻ•্āώিāĻĒ্āϤ, āĻāĻ•āϟি YouTube āĻ­িāĻĄিāĻ“āϰ āĻļুāϰুāϤে āĻāĻ•āϟি āϏংāĻ•্āώিāĻĒ্āϤ āĻ…ংāĻļ āϝা āĻĻāϰ্āĻļāĻ•েāϰ āĻĻৃāώ্āϟি āφāĻ•āϰ্āώāĻŖ āĻ•āϰে āĻāĻŦং āĻĒāϰāĻŦāϰ্āϤী āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āϜāύ্āϝ āϏুāϰ āϏেāϟ āĻ•āϰে।


 āϝāĻĻিāĻ“ YouTube āĻ­ূāĻŽিāĻ•াāϰ āĻ—ুāϰুāϤ্āĻŦ āĻŦিāώāϝ়āĻŦāϏ্āϤু āύিāϰ্āĻŽাāϤাāϰ āĻļৈāϞী āĻāĻŦং āϚ্āϝাāύেāϞেāϰ āĻĒ্āϰāĻ•ৃāϤিāϰ āωāĻĒāϰ āύিāϰ্āĻ­āϰ āĻ•āϰে āĻĒāϰিāĻŦāϰ্āϤিāϤ āĻšāϤে āĻĒাāϰে, āϤāĻŦে āĻ…āύেāĻ• āύিāϰ্āĻŽাāϤাāĻĻেāϰ āĻ­ূāĻŽিāĻ•াāĻ•ে āĻŽূāϞ্āϝāĻŦাāύ āĻŽāύে āĻ•āϰাāϰ āĻŦিāĻ­িāύ্āύ āĻ•াāϰāĻŖ āϰāϝ়েāĻ›ে:


1.āĻŦ্āϰ্āϝাāύ্āĻĄিং: āĻāĻ•āϟি āϏু-āĻĒāϰিāĻ•āϞ্āĻĒিāϤ āĻ­ূāĻŽিāĻ•া āφāĻĒāύাāϰ āϚ্āϝাāύেāϞেāϰ āĻŦ্āϰ্āϝাāύ্āĻĄ āĻĒāϰিāϚāϝ় āĻĒ্āϰāϤিāώ্āĻ া āĻ“ āĻļāĻ•্āϤিāĻļাāϞী āĻ•āϰāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤে āĻĒাāϰে। āĻāϰ āĻŽāϧ্āϝে āϏাāĻŽāĻž্āϜāϏ্āϝāĻĒূāϰ্āĻŖ āĻ­িāϜ্āϝুāϝ়াāϞ, āϏāĻ™্āĻ—ীāϤ āĻāĻŦং āĻ…āύ্āϝাāύ্āϝ āωāĻĒাāĻĻাāύ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰা āĻ…āύ্āϤāϰ্āĻ­ুāĻ•্āϤ āϝা āĻĻāϰ্āĻļāĻ•āϰা āφāĻĒāύাāϰ āϏাāĻŽāĻ—্āϰীāϰ āϏাāĻĨে āϝুāĻ•্āϤ āĻ•āϰে।


2.āĻĒেāĻļাāĻĻাāϰিāϤ্āĻŦ: āĻāĻ•āϟি āφāĻ•āϰ্āώāĻ• āĻ­ূāĻŽিāĻ•া āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āĻ—ুāϞিāĻ•ে āφāϰāĻ“ āĻĒেāĻļাāĻĻাāϰ āĻ…āύুāĻ­ূāϤি āĻĻিāϤে āĻĒাāϰে৷ āĻāϟি āĻĻেāĻ–াāϝ় āϝে āφāĻĒāύি āφāĻĒāύাāϰ āϏাāĻŽāĻ—্āϰী āϤৈāϰিāϤে āϚিāύ্āϤাāĻ­াāĻŦāύা āĻāĻŦং āĻĒ্āϰāϚেāώ্āϟা āĻ•āϰেāĻ›েāύ, āϝা āφāĻĒāύাāϰ āĻŦিāĻļ্āĻŦাāϏāϝোāĻ—্āϝāϤা āĻŦাāĻĄ়াāϤে āĻāĻŦং āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻ•াāĻ›ে āφāĻŦেāĻĻāύ āĻ•āϰāϤে āĻĒাāϰে।


3.āĻĻāϰ্āĻļāĻ•েāϰ āĻŦ্āϝāϏ্āϤāϤা: āĻāĻ•āϟি āϚিāϤ্āϤাāĻ•āϰ্āώāĻ• āĻ­ূāĻŽিāĻ•া āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻļুāϰু āĻĨেāĻ•েāχ āφāĻ•āϰ্āώāĻŖ āĻ•āϰāϤে āĻĒাāϰে, āϤাāĻĻেāϰ āĻĒুāϰো āĻ­িāĻĄিāĻ“āϟি āĻĻেāĻ–āϤে āωāϤ্āϏাāĻšিāϤ āĻ•āϰে৷ āĻāϟি āĻ•ী āĻšāϤে āϚāϞেāĻ›ে āϤাāϰ āϜāύ্āϝ āϏুāϰ āϏেāϟ āĻ•āϰে āĻāĻŦং āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻŽāύোāϝোāĻ— āϧāϰে āϰাāĻ–āϤে āϏাāĻšাāϝ্āϝ āĻ•āϰে āωāϤ্āϤেāϜāύা āĻŦা āĻ•ৌāϤূāĻšāϞ āϤৈāϰি āĻ•āϰāϤে āĻĒাāϰে।


4.āϏ্āĻŦীāĻ•ৃāϤি: āϏāĻŽāϝ়েāϰ āϏাāĻĨে āϏাāĻĨে, āĻāĻ•āϟি āϏ্āĻŦীāĻ•ৃāϤ āĻ­ূāĻŽিāĻ•া āφāĻĒāύাāϰ āϚ্āϝাāύেāϞেāϰ āϏāĻŽাāϰ্āĻĨāĻ• āĻšāϝ়ে āωāĻ āϤে āĻĒাāϰে। āĻĻāϰ্āĻļāĻ•āϰা āϤাāĻĻেāϰ āωāĻĒāĻ­োāĻ— āĻ•āϰা āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āϏাāĻĨে āĻ­ূāĻŽিāĻ•া āϝুāĻ•্āϤ āĻ•āϰāϤে āφāϏāϤে āĻĒাāϰে, āϝাāϤে āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āĻ—ুāϞি āϏāύাāĻ•্āϤ āĻ•āϰা āĻāĻŦং āĻŽāύে āϰাāĻ–া āϤাāĻĻেāϰ āĻĒāĻ•্āώে āϏāĻšāϜ āĻšāϝ়৷


5.āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āĻĒাāϰ্āĻĨāĻ•্āϝ: āχāωāϟিāωāĻŦ āϏাāĻŽāĻ—্āϰীāϰ āĻŦিāĻļাāϞ āϏāĻŽুāĻĻ্āϰে, āĻāĻ•āϟি āĻ­ূāĻŽিāĻ•া āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āĻ—ুāϞিāĻ•ে āφāϞাāĻĻা āĻ•āϰāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰāϤে āĻĒাāϰে৷ āĻāϟি āφāĻĒāύাāϰ āϏাāĻŽāĻ—্āϰীāϤে āĻāĻ•āϟি āĻ…āύāύ্āϝ āϏ্āĻĒāϰ্āĻļ āϝোāĻ— āĻ•āϰে āĻāĻŦং āĻāϟিāĻ•ে āĻ…āύ্āϝāĻĻেāϰ āĻĨেāĻ•ে āφāϞাāĻĻা āĻ•āϰে, āĻāϟি āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āϜāύ্āϝ āφāϰāĻ“ āϏ্āĻŽāϰāĻŖীāϝ় āĻ•āϰে āϤোāϞে৷


6.āĻĒ্āϰāϚাāϰ āĻāĻŦং āĻ•্āϰāϏ-āĻĒ্āϞ্āϝাāϟāĻĢāϰ্āĻŽ āϏাāĻŽāĻž্āϜāϏ্āϝāϤা: āφāĻĒāύি āϝāĻĻি āφāĻĒāύাāϰ āĻ­িāĻĄিāĻ“āĻ—ুāϞি āĻ…āύ্āϝ āĻĒ্āϞ্āϝাāϟāĻĢāϰ্āĻŽ āĻŦা āϏোāĻļ্āϝাāϞ āĻŽিāĻĄিāϝ়াāϤে āĻļেāϝ়াāϰ āĻ•āϰেāύ, āĻāĻ•āϟি āϧাāϰাāĻŦাāĻšিāĻ• āĻ­ূāĻŽিāĻ•া āĻāĻ•āϟি āϏāĻŽāύ্āĻŦিāϤ āĻŦ্āϰ্āϝাāύ্āĻĄেāϰ āωāĻĒāϏ্āĻĨিāϤি āĻŦāϜাāϝ় āϰাāĻ–āϤে āϏাāĻšাāϝ্āϝ āĻ•āϰে৷ āĻāϟি āĻāĻ•āϟি āϏ্āĻŦীāĻ•ৃāϤ āωāĻĒাāĻĻাāύ āĻšāϝ়ে āĻ“āĻ ে āϝা āĻĻāϰ্āĻļāĻ•āϰা āφāĻĒāύাāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āϏাāĻĨে āϝুāĻ•্āϤ āĻ•āϰāϤে āĻĒাāϰে, āϤাāϰা āϝেāĻ–াāύেāχ āĻāϟিāϰ āϏāĻŽ্āĻŽুāĻ–ীāύ āĻšāύ āύা āĻ•েāύ।


7.āϰূāĻĒাāύ্āϤāϰ: āĻāĻ•āϟি āĻ­ূāĻŽিāĻ•া āφāĻĒāύাāϰ āĻĨাāĻŽ্āĻŦāύেāχāϞ āĻŦা āĻļিāϰোāύাāĻŽ āĻĨেāĻ•ে āĻ­িāĻĄিāĻ“āϰ āĻĒ্āϰāĻ•ৃāϤ āĻŦিāώāϝ়āĻŦāϏ্āϤুāϤে āĻāĻ•āϟি āĻŽāϏৃāĻŖ āϰূāĻĒাāύ্āϤāϰ āĻšিāϏাāĻŦে āĻ•াāϜ āĻ•āϰāϤে āĻĒাāϰে। āĻāϟি āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āϏ্āĻĨিāϰ āĻšāĻ“āϝ়াāϰ āϜāύ্āϝ āĻāĻ•āϟি āϏংāĻ•্āώিāĻĒ্āϤ āĻŽুāĻšূāϰ্āϤ āĻĒ্āϰāĻĻাāύ āĻ•āϰে āĻāĻŦং āϤাāĻĻেāϰ āĻŽূāϞ āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āϜāύ্āϝ āĻĒ্āϰāϏ্āϤুāϤ āĻ•āϰে।


āϝāĻĻিāĻ“ āĻāĻ•āϟি YouTube āĻ­ূāĻŽিāĻ•া āĻāĻ•āϟি āĻŽূāϞ্āϝāĻŦাāύ āĻšাāϤিāϝ়াāϰ āĻšāϤে āĻĒাāϰে, āĻāϟি āĻāĻ•āϟি āĻ­াāϰāϏাāĻŽ্āϝ āĻŦāϜাāϝ় āϰাāĻ–া āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ। āĻ…āϤ্āϝāϧিāĻ• āĻĻীāϰ্āϘ āĻŦা āĻ…āϤ্āϝāϧিāĻ• āϜāϟিāϞ āĻ­ূāĻŽিāĻ•া āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āĻšāϤাāĻļা āĻŦা āĻ…āύাāĻ—্āϰāĻšেāϰ āĻ•াāϰāĻŖ āĻšāϤে āĻĒাāϰে। āĻ…āύেāĻ• āϏāĻĢāϞ āύিāϰ্āĻŽাāϤাāχ āϏংāĻ•্āώিāĻĒ্āϤ, āϚāϟāĻ•āĻĻাāϰ āĻ­ূāĻŽিāĻ•া āĻŦেāĻ›ে āύেāύ āϝা āĻŽূāϞ āĻŦিāώāϝ়āĻŦāϏ্āϤুāϤে āĻĻেāϰি āύা āĻ•āϰে āĻĻ্āϰুāϤ āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āφāĻ•ৃāώ্āϟ āĻ•āϰে। āĻļেāώ āĻĒāϰ্āϝāύ্āϤ, āĻāĻ•āϟি YouTube āĻ­ূāĻŽিāĻ•াāϰ āĻ•াāϰ্āϝāĻ•াāϰিāϤা āύিāϰ্āĻ­āϰ āĻ•āϰে āĻāϟি āφāĻĒāύাāϰ āϚ্āϝাāύেāϞেāϰ āϞāĻ•্āώ্āϝāĻ—ুāϞিāϰ āϏাāĻĨে āĻ•āϤāϟা āϏাāϰিāĻŦāĻĻ্āϧ āĻāĻŦং āφāĻĒāύাāϰ āϞāĻ•্āώ্āϝ āĻĻāϰ্āĻļāĻ•āĻĻেāϰ āϏাāĻĨে āĻ…āύুāϰāĻŖিāϤ।





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