đImportance of YouTube Video Thumbnails
YouTube video thumbnails are a critical element of a video's success on the platform. They serve several important purposes and can significantly impact a video's performance and viewer engagement.
Here are some reasons highlighting the importance of YouTube video thumbnails:
- Grabbing Attention: A compelling thumbnail is the first thing potential viewers see when browsing YouTube. It's essentially your video's "first impression." A well-designed thumbnail can quickly grab the viewer's attention and entice them to click on your video.
- Click-Through Rate (CTR): The CTR is a key metric on YouTube. It measures the percentage of people who click on your video after seeing it. A high CTR is a strong indicator of the video's appeal, and an attractive thumbnail can contribute to an increased CTR.
- Differentiation: YouTube is flooded with content on virtually every topic. A unique and visually appealing thumbnail can help your video stand out from the crowd, making it more likely to be noticed in search results, recommendations, and related videos.
- Content Preview: Thumbnails provide a glimpse of what the video is about. An effective thumbnail can convey the video's topic, tone, and quality, helping viewers decide if it's what they're looking for.
- Branding: Consistent thumbnail design can help establish and reinforce your channel's branding. Viewers may recognize your videos more easily, leading to increased trust and loyalty.
- Mobile-Friendly: Many viewers access YouTube on mobile devices with smaller screens. Thumbnails must be visually clear and compelling, even at smaller sizes, to ensure that viewers on all devices can engage with your content.
- SEO and Discovery: YouTube's algorithm considers several factors when recommending videos to users. Thumbnails are one of those factors. A good thumbnail can make your video more discoverable and increase its chances of being recommended to relevant audiences.
- Shareability: When viewers share your video on social media or other platforms, the thumbnail often serves as the preview image. An appealing thumbnail can encourage more people to click on shared links.
- Viewer Retention: A misleading or unattractive thumbnail can lead to quick video abandonment, as viewers may feel the video does not meet their expectations. A well-designed thumbnail can attract the right audience and contribute to higher viewer retention rates.
- Clickbait Concerns: While enticing thumbnails is essential, it's crucial to strike a balance between attracting viewers and delivering on the promise of the video content. Overly clickbaity thumbnails that misrepresent the video's content can harm your channel's credibility and result in viewer disappointment.
In summary, YouTube video thumbnails play a crucial role in attracting viewers, increasing click-through rates, and helping your videos succeed on the platform. Creating high-quality, relevant, and visually appealing thumbnails is an essential part of a successful YouTube content strategy.
đImportance of YouTube Intro
A YouTube intro, short for introduction, is a brief segment at the beginning of a YouTube video that serves to grab the viewer's attention and set the tone for the content that follows.
While the importance of a YouTube intro can vary depending on the content creator's style and the nature of the channel, there are several reasons why many creators find intros valuable:
1. Branding: A well-designed intro can help establish and reinforce your channel's brand identity. This includes using consistent visuals, music, and other elements that viewers associate with your content.
2. Professionalism: An engaging intro can give your videos a more professional feel. It shows that you've put thought and effort into the production of your content, which can enhance your credibility and appeal to viewers.
3. Viewer Engagement: A captivating intro can hook viewers from the start, encouraging them to watch the entire video. It sets the tone for what's to come and can generate excitement or curiosity, helping to retain viewer attention.
4. Recognition: Over time, a recognizable intro can become synonymous with your channel. Viewers may come to associate the intro with the content they enjoy, making it easier for them to identify and remember your videos.
5. Content Differentiation: In a vast sea of YouTube content, an intro can help your videos stand out. It adds a unique touch to your content and distinguishes it from others, making it more memorable for viewers.
6. Promotion and Cross-Platform Consistency: If you share your videos on other platforms or social media, a consistent intro helps maintain a cohesive brand presence. It becomes a recognizable element that viewers can associate with your content, regardless of where they encounter it.
7. Transition: An intro can serve as a smooth transition from your thumbnail or title to the actual content of the video. It provides a brief moment for viewers to settle in and prepares them for the main content.
While a YouTube intro can be a valuable tool, it's important to strike a balance. Intros that are too long or overly complex may lead to viewer frustration or disinterest. Many successful creators opt for short, snappy intros that quickly engage the audience without delaying the main content. Ultimately, the effectiveness of a YouTube intro depends on how well it aligns with your channel's goals and resonates with your target audience.
đImportance of YouTube Outro
A YouTube outro, also known as an end screen or end card, is a critical element for any YouTube video. It serves several important purposes, contributing to the overall success and professionalism of your content. Here are some key reasons why a YouTube outro is important:
1. Promotion of Other Videos:
The outro provides an opportunity to showcase and promote other videos on your channel. This can increase viewer engagement and retention by directing them to more of your content that they might find interesting.
2. Encourages Subscriber Growth:
Including a call-to-action (CTA) for viewers to subscribe to your channel can help boost your subscriber count. This is crucial for building a loyal audience and increasing the visibility of your videos.
3. Enhances Viewer Interaction:
Outros often include interactive elements such as clickable buttons, links, or annotations. These can lead viewers to playlists, related videos, or external websites, providing a more interactive experience.
4. Professionalism and Branding:
A well-designed outro adds a professional touch to your videos and reinforces your channel's branding. Consistent branding helps viewers recognize your content and builds trust over time.
5. Monetization Opportunities:
For content creators looking to monetize their YouTube channels, the outro can be a space to promote merchandise, sponsorships, or other revenue-generating opportunities. You can include links to products, affiliate marketing, or Patreon pages.
6. Viewer Retention:
A well-crafted outro can help retain viewers by suggesting additional content they may enjoy. This can contribute to a longer viewing session, which is a positive signal to YouTube's algorithm and can improve your video's performance in search and recommendations.
7. Community Engagement:
Outros can be used to encourage viewers to leave comments, ask questions, or participate in polls. This fosters community engagement and can help you build a stronger connection with your audience.
8. Cross-Promotion:
If you collaborate with other YouTubers or have multiple channels, the outro is an excellent place to cross-promote each other's content. This can help both channels reach a broader audience.
9. Adaptability:
Outros are versatile and can be adapted for different purposes. You can tailor them based on the type of content you create or the specific goals you have for a particular video.
In summary, a YouTube outro is a valuable tool for content creators, offering opportunities for promotion, engagement, branding, and revenue generation. It's a strategic element that shouldn't be overlooked in the overall content creation process.
đYouTube Outro āĻāϰ āĻুāϰুāϤ্āĻŦ
āĻāĻāĻি āĻāĻāĻিāĻāĻŦ āĻāĻāĻāϰো, āĻāĻāĻি āĻļেāώ āϏ্āĻ্āϰিāύ āĻŦা āĻāύ্āĻĄ āĻাāϰ্āĻĄ āύাāĻŽেāĻ āĻĒāϰিāĻিāϤ, āϝে āĻোāύো YouTube āĻিāĻĄিāĻāϰ āĻāύ্āϝ āĻāĻāĻি āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻāĻĒাāĻĻাāύ। āĻāĻি āĻāĻĒāύাāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āϏাāĻŽāĻ্āϰিāĻ āϏাāĻĢāϞ্āϝ āĻāĻŦং āĻĒেāĻļাāĻĻাāϰিāϤ্āĻŦে āĻ āĻŦāĻĻাāύ āϰেāĻে āĻŦিāĻিāύ্āύ āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻāĻĻ্āĻĻেāĻļ্āϝে āĻাāĻ āĻāϰে। āĻāĻাāύে āĻিāĻু āĻŽূāϞ āĻাāϰāĻŖ āϰāϝ়েāĻে āĻেāύ āĻāĻāĻি YouTube āĻāĻāĻāϰো āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ:
1. āĻ āύ্āϝাāύ্āϝ āĻিāĻĄিāĻāϰ āĻĒ্āϰāĻাāϰ:
āĻāĻāĻāϰো āĻāĻĒāύাāϰ āĻ্āϝাāύেāϞে āĻ āύ্āϝাāύ্āϝ āĻিāĻĄিāĻ āĻĒ্āϰāĻĻāϰ্āĻļāύ āĻāĻŦং āĻĒ্āϰāĻাāϰ āĻāϰাāϰ āĻāĻāĻি āϏুāϝোāĻ āĻĒ্āϰāĻĻাāύ āĻāϰে। āĻāĻি āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻāĻāϰ্āώāĻŖ āĻāĻŦং āϧāϰে āϰাāĻāϤে āĻĒাāϰে āĻāĻĒāύাāϰ āĻāϰāĻ āĻŦেāĻļি āϏাāĻŽāĻ্āϰীāϤে āύিāϰ্āĻĻেāĻļিāϤ āĻāϰে āϝা āϤাāĻĻেāϰ āĻāĻāϰ্āώāĻŖীāϝ় āĻŽāύে āĻšāϤে āĻĒাāϰে।
2. āĻ্āϰাāĻšāĻ āĻŦৃāĻĻ্āϧিāĻে āĻā§āϏাāĻšিāϤ āĻāϰে:
āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻāĻĒāύাāϰ āĻ্āϝাāύেāϞে āϏাāĻŦāϏ্āĻ্āϰাāĻāĻŦ āĻāϰাāϰ āĻāύ্āϝ āĻāĻāĻি āĻāϞ-āĻু-āĻ ্āϝাāĻāĻļāύ (CTA) āĻ āύ্āϤāϰ্āĻুāĻ্āϤ āĻāϰা āĻāĻĒāύাāϰ āĻ্āϰাāĻšāĻ āϏংāĻ্āϝা āĻŦাāĻĄ়াāϤে āϏাāĻšাāϝ্āϝ āĻāϰāϤে āĻĒাāϰে। āĻāĻি āĻāĻāĻি āĻŦিāĻļ্āĻŦāϏ্āϤ āĻĻāϰ্āĻļāĻ āϤৈāϰি āĻāϰāϤে āĻāĻŦং āĻāĻĒāύাāϰ āĻিāĻĄিāĻāĻুāϞিāϰ āĻĻৃāĻļ্āϝāĻŽাāύāϤা āĻŦাāĻĄ়াāύোāϰ āĻāύ্āϝ āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ৷
3. āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻŽিāĻĨāϏ্āĻ্āϰিāϝ়া āĻāύ্āύāϤ āĻāϰে:
āĻāĻāĻāϰোāϤে āĻĒ্āϰাāϝ়āĻ āĻāύ্āĻাāϰেāĻ্āĻিāĻ āĻāĻĒাāĻĻাāύ āĻ āύ্āϤāϰ্āĻুāĻ্āϤ āĻĨাāĻে āϝেāĻŽāύ āĻ্āϞিāĻāϝোāĻ্āϝ āĻŦোāϤাāĻŽ, āϞিāĻ্āĻ āĻŦা āĻীāĻা। āĻāĻুāϞি āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻāϰāĻ āĻāύ্āĻাāϰেāĻ্āĻিāĻ āĻ āĻিāĻ্āĻāϤা āĻĒ্āϰāĻĻাāύ āĻāϰে āĻĒ্āϞেāϞিāϏ্āĻ, āϏāĻŽ্āĻĒāϰ্āĻিāϤ āĻিāĻĄিāĻ āĻŦা āĻŦāĻšিāϰাāĻāϤ āĻāϝ়েāĻŦāϏাāĻāĻāĻুāϞিāϤে āύিāϝ়ে āϝেāϤে āĻĒাāϰে।
4. āĻĒেāĻļাāĻĻাāϰিāϤ্āĻŦ āĻāĻŦং āĻŦ্āϰ্āϝাāύ্āĻĄিং:
āĻāĻāĻি āĻাāϞ āĻĄিāĻাāĻāύ āĻāϰা āĻāĻāĻāϰো āĻāĻĒāύাāϰ āĻিāĻĄিāĻāĻুāϞিāϤে āĻāĻāĻি āĻĒেāĻļাāĻĻাāϰ āϏ্āĻĒāϰ্āĻļ āϝোāĻ āĻāϰে āĻāĻŦং āĻāĻĒāύাāϰ āĻ্āϝাāύেāϞেāϰ āĻŦ্āϰ্āϝাāύ্āĻĄিংāĻে āĻļāĻ্āϤিāĻļাāϞী āĻāϰে৷ āϧাāϰাāĻŦাāĻšিāĻ āĻŦ্āϰ্āϝাāύ্āĻĄিং āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻāĻĒāύাāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤু āĻিāύāϤে āϏাāĻšাāϝ্āϝ āĻāϰে āĻāĻŦং āϏāĻŽāϝ়েāϰ āϏাāĻĨে āϏাāĻĨে āĻāϏ্āĻĨা āϤৈāϰি āĻāϰে।
5. āύāĻāĻĻীāĻāϰāĻŖেāϰ āϏুāϝোāĻ:
āĻŦিāώāϝ়āĻŦāϏ্āϤু āύিāϰ্āĻŽাāϤাāĻĻেāϰ āĻāύ্āϝ āϝাāϰা āϤাāĻĻেāϰ YouTube āĻ্āϝাāύেāϞāĻুāϞি āύāĻāĻĻীāĻāϰāĻŖ āĻāϰāϤে āĻাāĻāĻেāύ, āĻāĻāĻāϰোāĻি āĻĒāĻŖ্āϝāĻĻ্āϰāĻŦ্āϝ, āϏ্āĻĒāύāϏāϰāĻļিāĻĒ āĻŦা āĻ āύ্āϝাāύ্āϝ āĻāϝ়-āĻā§āĻĒাāĻĻāύ āĻāϰাāϰ āϏুāϝোāĻāĻুāϞি āĻĒ্āϰāĻাāϰ āĻāϰাāϰ āĻāĻāĻি āϏ্āĻĨাāύ āĻšāϤে āĻĒাāϰে। āĻāĻĒāύি āĻĒāĻŖ্āϝ, āĻ āύুāĻŽোāĻĻিāϤ āĻŦিāĻĒāĻŖāύ, āĻŦা Patreon āĻĒৃāώ্āĻ াāĻুāϞিāϰ āϞিāĻ্āĻ āĻ āύ্āϤāϰ্āĻুāĻ্āϤ āĻāϰāϤে āĻĒাāϰেāύ।
6. āĻĻāϰ্āĻļāĻ āϧāϰে āϰাāĻা:
āĻāĻāĻি āϏুāϏāĻ্āĻিāϤ āĻāĻāĻāϰো āĻĻāϰ্āĻļāĻāĻĻেāϰ āϤাāϰা āĻāĻĒāĻোāĻ āĻāϰāϤে āĻĒাāϰে āĻāĻŽāύ āĻ āϤিāϰিāĻ্āϤ āϏাāĻŽāĻ্āϰীāϰ āĻĒāϰাāĻŽāϰ্āĻļ āĻĻিāϝ়ে āϧāϰে āϰাāĻāϤে āϏাāĻšাāϝ্āϝ āĻāϰāϤে āĻĒাāϰে। āĻāĻি āĻāĻāĻি āĻĻীāϰ্āĻ āĻĻেāĻাāϰ āϏেāĻļāύে āĻ āĻŦāĻĻাāύ āϰাāĻāϤে āĻĒাāϰে, āϝা YouTube āĻāϰ āĻ ্āϝাāϞāĻāϰিāĻĻāĻŽেāϰ āĻāύ্āϝ āĻāĻāĻি āĻāϤিāĻŦাāĻāĻ āϏংāĻেāϤ āĻāĻŦং āĻ āύুāϏāύ্āϧাāύ āĻāĻŦং āϏুāĻĒাāϰিāĻļāĻুāϞিāϤে āĻāĻĒāύাāϰ āĻিāĻĄিāĻāϰ āĻāϰ্āĻŽāĻ্āώāĻŽāϤা āĻāύ্āύāϤ āĻāϰāϤে āĻĒাāϰে৷
7. āϏāĻŽ্āĻĒ্āϰāĻĻাāϝ়েāϰ āϏংāϝুāĻ্āϤি:
āĻāĻāĻāϰোāϏ āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻŽāύ্āϤāĻŦ্āϝ āĻāϰāϤে, āĻĒ্āϰāĻļ্āύ āĻিāĻ্āĻাāϏা āĻāϰāϤে āĻŦা āĻĒোāϞে āĻ ংāĻļāĻ্āϰāĻšāĻŖ āĻāϰāϤে āĻāϤ্āϏাāĻšিāϤ āĻāϰāϤে āĻŦ্āϝāĻŦāĻšাāϰ āĻāϰা āϝেāϤে āĻĒাāϰে। āĻāĻি āϏāĻŽ্āĻĒ্āϰāĻĻাāϝ়েāϰ āĻŦ্āϝāϏ্āϤāϤাāĻে āĻā§āϏাāĻšিāϤ āĻāϰে āĻāĻŦং āĻāĻĒāύাāϰ āĻĻāϰ্āĻļāĻāĻĻেāϰ āϏাāĻĨে āĻāĻāĻি āĻļāĻ্āϤিāĻļাāϞী āϏংāϝোāĻ āϤৈāϰি āĻāϰāϤে āϏাāĻšাāϝ্āϝ āĻāϰāϤে āĻĒাāϰে।
8. āĻ্āϰāϏ-āĻĒ্āϰāĻŽোāĻļāύ:
āĻāĻĒāύি āϝāĻĻি āĻ āύ্āϝ YouTubers āĻāϰ āϏাāĻĨে āϏāĻšāϝোāĻিāϤা āĻāϰেāύ āĻŦা āĻāĻাāϧিāĻ āĻ্āϝাāύেāϞ āĻĨাāĻে, āϤাāĻšāϞে āĻāĻāĻāϰো āĻāĻে āĻ āĻĒāϰেāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤু āĻ্āϰāϏ-āĻĒ্āϰāĻŽোāĻ āĻāϰাāϰ āĻāύ্āϝ āĻāĻāĻি āĻāĻŽā§āĻাāϰ āĻাāϝ়āĻা। āĻāĻি āĻāĻāϝ় āĻ্āϝাāύেāϞāĻে āĻŦৃāĻšāϤ্āϤāϰ āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻাāĻে āĻĒৌঁāĻাāϤে āϏāĻšাāϝ়āϤা āĻāϰāϤে āĻĒাāϰে।
9. āĻ āĻিāϝোāĻāύāϝোāĻ্āϝāϤা:
Outros āĻŦāĻšুāĻŽুāĻী āĻāĻŦং āĻŦিāĻিāύ্āύ āĻāĻĻ্āĻĻেāĻļ্āϝে āĻ āĻিāϝোāĻিāϤ āĻšāϤে āĻĒাāϰে. āĻāĻĒāύি āϝে āϧāϰāύেāϰ āϏাāĻŽāĻ্āϰী āϤৈāϰি āĻāϰেāύ āĻŦা āĻāĻāĻি āύিāϰ্āĻĻিāώ্āĻ āĻিāĻĄিāĻāϰ āĻāύ্āϝ āĻāĻĒāύাāϰ āύিāϰ্āĻĻিāώ্āĻ āϞāĻ্āώ্āϝāĻুāϞিāϰ āĻāĻĒāϰ āĻিāϤ্āϤি āĻāϰে āĻāĻĒāύি āϏেāĻুāϞি āϤৈāϰি āĻāϰāϤে āĻĒাāϰেāύ৷
āϏাāϰāϏংāĻ্āώেāĻĒে, āĻāĻāĻি YouTube āĻāĻāĻāϰো āĻšāϞ āĻŦিāώāϝ়āĻŦāϏ্āϤু āύিāϰ্āĻŽাāϤাāĻĻেāϰ āĻāύ্āϝ āĻāĻāĻি āĻŽূāϞ্āϝāĻŦাāύ āĻšাāϤিāϝ়াāϰ, āϝা āĻĒ্āϰāĻাāϰ, āĻŦ্āϝāϏ্āϤāϤা, āĻŦ্āϰ্āϝাāύ্āĻĄিং āĻāĻŦং āϰাāĻāϏ্āĻŦ āĻā§āĻĒাāĻĻāύেāϰ āϏুāϝোāĻ āĻĒ্āϰāĻĻাāύ āĻāϰে। āĻāĻি āĻāĻāĻি āĻৌāĻļāϞāĻāϤ āĻāĻĒাāĻĻাāύ āϝা āϏাāĻŽāĻ্āϰিāĻ āϏাāĻŽāĻ্āϰী āϤৈāϰিāϰ āĻĒ্āϰāĻ্āϰিāϝ়াāϤে āĻāĻĒেāĻ্āώা āĻāϰা āĻāĻিāϤ āύāϝ়।
đāĻāĻāĻিāĻāĻŦ āĻিāĻĄিāĻ āĻĨাāĻŽ্āĻŦāύেāĻāϞ āĻāϰ āĻুāϰুāϤ্āĻŦ
āĻāĻāĻিāĻāĻŦ āĻিāĻĄিāĻ āĻĨাāĻŽ্āĻŦāύেāĻāϞāĻুāϞি āĻĒ্āϞ্āϝাāĻāĻĢāϰ্āĻŽে āĻāĻāĻি āĻিāĻĄিāĻāϰ āϏাāĻĢāϞ্āϝেāϰ āĻāĻāĻি āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻāĻĒাāĻĻাāύ৷ āĻāĻুāϞি āĻŦেāĻļ āĻāϝ়েāĻāĻি āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻāĻĻ্āĻĻেāĻļ্āϝ āĻĒূāϰāĻŖ āĻāϰে āĻāĻŦং āĻāĻāĻি āĻিāĻĄিāĻāϰ āĻāϰ্āĻŽāĻ্āώāĻŽāϤা āĻāĻŦং āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻŦ্āϝāϏ্āϤāϤাāĻে āĻāϞ্āϞেāĻāϝোāĻ্āϝāĻাāĻŦে āĻĒ্āϰāĻাāĻŦিāϤ āĻāϰāϤে āĻĒাāϰে৷
YouTube āĻিāĻĄিāĻ āĻĨাāĻŽ্āĻŦāύেāĻāϞেāϰ āĻুāϰুāϤ্āĻŦ āϤুāϞে āϧāϰাāϰ āĻিāĻু āĻাāϰāĻŖ āĻāĻাāύে āϰāϝ়েāĻে:
1. āĻŽāύোāϝোāĻ āĻāĻāϰ্āώāĻŖ āĻāϰা:
āĻāĻāĻি āĻāĻāϰ্āώāĻ āĻĨাāĻŽ্āĻŦāύেāĻāϞ āĻšāϞ āĻĒ্āϰāĻĨāĻŽ āĻিāύিāϏ āϝা āϏāĻŽ্āĻাāĻŦ্āϝ āĻĻāϰ্āĻļāĻāϰা YouTube āĻŦ্āϰাāĻāĻ āĻāϰাāϰ āϏāĻŽāϝ় āĻĻেāĻে। āĻāĻি āĻŽূāϞāϤ āĻāĻĒāύাāϰ āĻিāĻĄিāĻāϰ "āĻĒ্āϰāĻĨāĻŽ āĻাāĻĒ"। āĻāĻāĻি āĻাāϞ-āĻĄিāĻাāĻāύ āĻāϰা āĻĨাāĻŽ্āĻŦāύেāĻāϞ āĻĻ্āϰুāϤ āĻĻāϰ্āĻļāĻেāϰ āĻŽāύোāϝোāĻ āĻāĻāϰ্āώāĻŖ āĻāϰāϤে āĻĒাāϰে āĻāĻŦং āϤাāĻĻেāϰ āĻāĻĒāύাāϰ āĻিāĻĄিāĻāϤে āĻ্āϞিāĻ āĻāϰāϤে āĻĒ্āϰāϞুāĻŦ্āϧ āĻāϰāϤে āĻĒাāϰে।
2. āĻ্āϞিāĻ-āĻĨ্āϰু āϰেāĻ (CTR):
CTR āĻšāϞ YouTube-āĻāϰ āĻāĻāĻি āĻŽূāϞ āĻŽেāĻ্āϰিāĻ। āĻāĻি āĻāϤ āĻļāϤাংāĻļ āϞোāĻে āĻāĻĒāύাāϰ āĻিāĻĄিāĻ āĻĻেāĻাāϰ āĻĒāϰে āĻ্āϞিāĻ āĻāϰে āϤা āĻĒāϰিāĻŽাāĻĒ āĻāϰে৷ āĻāĻāĻি āĻāĻ্āĻ CTR āĻšāϞ āĻিāĻĄিāĻāϰ āĻāĻŦেāĻĻāύেāϰ āĻāĻāĻি āĻļāĻ্āϤিāĻļাāϞী āϏূāĻāĻ āĻāĻŦং āĻāĻāĻি āĻāĻāϰ্āώāĻŖীāϝ় āĻĨাāĻŽ্āĻŦāύেāĻāϞ CTR āĻŦৃāĻĻ্āϧিāϤে āĻ āĻŦāĻĻাāύ āϰাāĻāϤে āĻĒাāϰে।
3. āĻĒাāϰ্āĻĨāĻ্āϝ:
āĻāĻāĻিāĻāĻŦ āĻাāϰ্āϝāϤ āĻĒ্āϰāϤিāĻি āĻŦিāώāϝ়ে āĻŦিāώāϝ়āĻŦāϏ্āϤু āĻĻ্āĻŦাāϰা āĻĒ্āϞাāĻŦিāϤ āĻšāϝ়. āĻāĻāĻি āĻ āύāύ্āϝ āĻāĻŦং āĻĻৃāĻļ্āϝāϤ āĻāĻāϰ্āώāĻŖীāϝ় āĻĨাāĻŽ্āĻŦāύেāĻāϞ āĻāĻĒāύাāϰ āĻিāĻĄিāĻāĻিāĻে āĻিāĻĄ় āĻĨেāĻে āĻāϞাāĻĻা āĻāϰে āϤুāϞāϤে āϏাāĻšাāϝ্āϝ āĻāϰāϤে āĻĒাāϰে, āĻāĻিāĻে āĻ āύুāϏāύ্āϧাāύ āĻĢāϞাāĻĢāϞ, āϏুāĻĒাāϰিāĻļ āĻāĻŦং āϏāĻŽ্āĻĒāϰ্āĻিāϤ āĻিāĻĄিāĻāĻুāϞিāϤে āϞāĻ্āώ্āϝ āĻāϰাāϰ āϏāĻŽ্āĻাāĻŦāύা āĻŦেāĻļি āĻāϰে āϤোāϞে৷
4. āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āĻĒূāϰ্āĻŦāϰূāĻĒ:
āĻĨাāĻŽ্āĻŦāύেāĻāϞāĻুāϞি āĻিāĻĄিāĻāĻি āϏāĻŽ্āĻĒāϰ্āĻে āĻāĻāĻি āĻāĻাāϏ āĻĻেāϝ়৷ āĻāĻāĻি āĻাāϰ্āϝāĻāϰ āĻĨাāĻŽ্āĻŦāύেāϞ āĻিāĻĄিāĻāϰ āĻŦিāώāϝ়, āĻোāύ āĻāĻŦং āĻুāĻŖāĻŽাāύ āĻাāύাāϤে āĻĒাāϰে, āϝা āĻĻāϰ্āĻļāĻāĻĻেāϰ āϤাāϰা āϝা āĻুঁāĻāĻেāύ āϤা āύিāϰ্āϧাāϰāĻŖ āĻāϰāϤে āϏাāĻšাāϝ্āϝ āĻāϰে৷
5. āĻŦ্āϰ্āϝাāύ্āĻĄিং:
āϏাāĻŽāĻ্āĻāϏ্āϝāĻĒূāϰ্āĻŖ āĻĨাāĻŽ্āĻŦāύেāĻāϞ āĻĄিāĻাāĻāύ āĻāĻĒāύাāϰ āĻ্āϝাāύেāϞেāϰ āĻŦ্āϰ্āϝাāύ্āĻĄিং āĻĒ্āϰāϤিāώ্āĻ া āĻ āĻļāĻ্āϤিāĻļাāϞী āĻāϰāϤে āϏাāĻšাāϝ্āϝ āĻāϰāϤে āĻĒাāϰে। āĻĻāϰ্āĻļāĻāϰা āĻāĻĒāύাāϰ āĻিāĻĄিāĻāĻুāϞি āĻāϰāĻ āϏāĻšāĻে āĻিāύāϤে āĻĒাāϰে, āϝাāϰ āĻĢāϞে āĻŦিāĻļ্āĻŦাāϏ āĻāĻŦং āĻŦিāĻļ্āĻŦāϏ্āϤāϤা āĻŦৃāĻĻ্āϧি āĻĒাāϝ়।
6. āĻŽোāĻŦাāĻāϞ-āĻĢ্āϰেāύ্āĻĄāϞি:
āĻ āύেāĻ āĻĻāϰ্āĻļāĻ āĻোāĻ āϏ্āĻ্āϰীāύ āϏāĻš āĻŽোāĻŦাāĻāϞ āĻĄিāĻাāĻāϏে YouTube āĻ ্āϝাāĻ্āϏেāϏ āĻāϰে। āĻĨাāĻŽ্āĻŦāύেāĻāϞāĻুāϞি āĻ āĻŦāĻļ্āϝāĻ āĻĻৃāĻļ্āϝāϤ āĻĒāϰিāώ্āĻাāϰ āĻāĻŦং āĻāĻāϰ্āώāĻ āĻšāϤে āĻšāĻŦে, āĻāĻŽāύāĻি āĻোāĻ āĻāĻাāϰেāĻ, āύিāĻļ্āĻিāϤ āĻāϰāϤে āĻšāĻŦে āϝে āϏāĻŽāϏ্āϤ āĻĄিāĻাāĻāϏে āĻĻāϰ্āĻļāĻāϰা āĻāĻĒāύাāϰ āϏাāĻŽāĻ্āϰীāϰ āϏাāĻĨে āϝুāĻ্āϤ āĻšāϤে āĻĒাāϰে৷
7. āĻāϏāĻāĻ āĻāĻŦং āĻĄিāϏāĻāĻাāϰি:
āĻāĻāĻিāĻāĻŦেāϰ āĻ ্āϝাāϞāĻāϰিāĻĻāĻŽ āĻŦ্āϝāĻŦāĻšাāϰāĻাāϰীāĻĻেāϰ āĻাāĻে āĻিāĻĄিāĻ āϏাāĻেāϏ্āĻ āĻāϰাāϰ āϏāĻŽāϝ় āĻŦিāĻিāύ্āύ āĻŦিāώāϝ় āĻŦিāĻŦেāĻāύা āĻāϰে। āĻĨাāĻŽ্āĻŦāύেāĻāϞ āϏেāĻ āĻাāϰāĻŖāĻুāϞিāϰ āĻŽāϧ্āϝে āĻāĻāĻি। āĻāĻāĻি āĻাāϞ āĻĨাāĻŽ্āĻŦāύেāϞ āĻāĻĒāύাāϰ āĻিāĻĄিāĻāĻিāĻে āĻāϰāĻ āĻāĻŦিāώ্āĻাāϰāϝোāĻ্āϝ āĻāϰে āϤুāϞāϤে āĻĒাāϰে āĻāĻŦং āĻĒ্āϰাāϏāĻ্āĻিāĻ āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻাāĻে āĻāĻিāϰ āĻĒ্āϰāϏ্āϤাāĻŦিāϤ āĻšāĻāϝ়াāϰ āϏāĻŽ্āĻাāĻŦāύা āĻŦাāĻĄ়িāϝ়ে āϤুāϞāϤে āĻĒাāϰে৷
8. āĻļেāϝ়াāϰāϝোāĻ্āϝāϤা:
āϝāĻāύ āĻĻāϰ্āĻļāĻāϰা āĻāĻĒāύাāϰ āĻিāĻĄিāĻ āϏোāĻļ্āϝাāϞ āĻŽিāĻĄিāϝ়া āĻŦা āĻ āύ্āϝাāύ্āϝ āĻĒ্āϞ্āϝাāĻāĻĢāϰ্āĻŽে āĻļেāϝ়াāϰ āĻāϰে, āϤāĻāύ āĻĨাāĻŽ্āĻŦāύেāϞ āĻĒ্āϰাāϝ়āĻ āĻĒূāϰ্āĻŦāϰূāĻĒ āĻিāϤ্āϰ āĻšিāϏাāĻŦে āĻাāĻ āĻāϰে। āĻāĻāĻি āĻāĻāϰ্āώāĻŖীāϝ় āĻĨাāĻŽ্āĻŦāύেāĻāϞ āĻļেāϝ়াāϰ āĻāϰা āϞিāĻ্āĻāĻুāϞিāϤে āĻ্āϞিāĻ āĻāϰāϤে āĻāϰāĻ āĻŦেāĻļি āϞোāĻāĻে āĻāϤ্āϏাāĻšিāϤ āĻāϰāϤে āĻĒাāϰে৷
9. āĻিāĻāϝ়াāϰ āϧāϰে āϰাāĻা:
āĻāĻāĻি āĻŦিāĻ্āϰাāύ্āϤিāĻāϰ āĻŦা āĻ āϏ্āĻŦাāĻাāĻŦিāĻ āĻĨাāĻŽ্āĻŦāύেāĻāϞ āĻĻ্āϰুāϤ āĻিāĻĄিāĻ āĻĒāϰিāϤ্āϝাāĻ āĻāϰāϤে āĻĒাāϰে, āĻাāϰāĻŖ āĻĻāϰ্āĻļāĻāϰা āĻŽāύে āĻāϰāϤে āĻĒাāϰেāύ āĻিāĻĄিāĻāĻি āϤাāĻĻেāϰ āĻĒ্āϰāϤ্āϝাāĻļা āĻĒূāϰāĻŖ āĻāϰāĻে āύা। āĻāĻāĻি āĻাāϞ-āĻĄিāĻাāĻāύ āĻāϰা āĻĨাāĻŽ্āĻŦāύেāĻāϞ āϏāĻ িāĻ āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻāĻৃāώ্āĻ āĻāϰāϤে āĻĒাāϰে āĻāĻŦং āĻāĻ্āĻāϤāϰ āĻĻāϰ্āĻļāĻ āϧāϰে āϰাāĻাāϰ āĻšাāϰে āĻ āĻŦāĻĻাāύ āϰাāĻāϤে āĻĒাāϰে।
10. āĻ্āϞিāĻāĻŦেāĻ āĻāĻĻ্āĻŦেāĻ:
āĻĨাāĻŽ্āĻŦāύেāĻāϞāĻুāϞিāĻে āĻĒ্āϰāϞুāĻŦ্āϧ āĻāϰা āĻ āĻĒāϰিāĻšাāϰ্āϝ, āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻāĻāϰ্āώāĻŖ āĻāϰা āĻāĻŦং āĻিāĻĄিāĻ āϏাāĻŽāĻ্āϰীāϰ āĻĒ্āϰāϤিāĻļ্āϰুāϤি āĻĒ্āϰāĻĻাāύেāϰ āĻŽāϧ্āϝে āĻāĻāĻি āĻাāϰāϏাāĻŽ্āϝ āĻŦāĻাāϝ় āϰাāĻা āĻ āϤ্āϝāύ্āϤ āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ৷ āĻ āϤ্āϝāϧিāĻ āĻ্āϞিāĻāĻŦেāĻি āĻĨাāĻŽ্āĻŦāύেāĻāϞ āϝা āĻিāĻĄিāĻāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤুāĻে āĻুāϞāĻাāĻŦে āĻāĻĒāϏ্āĻĨাāĻĒāύ āĻāϰে āϤা āĻāĻĒāύাāϰ āĻ্āϝাāύেāϞেāϰ āĻŦিāĻļ্āĻŦাāϏāϝোāĻ্āϝāϤাāϰ āĻ্āώāϤি āĻāϰāϤে āĻĒাāϰে āĻāĻŦং āĻāϰ āĻĢāϞে āĻĻāϰ্āĻļāĻ āĻšāϤাāĻļ āĻšāϤে āĻĒাāϰে।
āϏংāĻ্āώেāĻĒে, āĻāĻāĻিāĻāĻŦ āĻিāĻĄিāĻ āĻĨাāĻŽ্āĻŦāύেāĻāϞāĻুāϞি āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻāĻৃāώ্āĻ āĻāϰāϤে, āĻ্āϞিāĻ-āĻĨ্āϰু āϰেāĻ āĻŦাāĻĄ়াāϤে āĻāĻŦং āĻĒ্āϞ্āϝাāĻāĻĢāϰ্āĻŽে āĻāĻĒāύাāϰ āĻিāĻĄিāĻāĻুāϞিāĻে āϏāĻĢāϞ āĻāϰāϤে āϏাāĻšাāϝ্āϝ āĻāϰāϤে āĻāĻāĻি āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻূāĻŽিāĻা āĻĒাāϞāύ āĻāϰে৷ āĻāĻ্āĻ-āĻŽাāύেāϰ, āĻĒ্āϰাāϏāĻ্āĻিāĻ, āĻāĻŦং āĻĻৃāĻļ্āϝāϤ āĻāĻāϰ্āώāĻŖীāϝ় āĻĨাāĻŽ্āĻŦāύেāϞ āϤৈāϰি āĻāϰা āĻāĻāĻি āϏāĻĢāϞ YouTube āϏাāĻŽāĻ্āϰী āĻৌāĻļāϞেāϰ āĻāĻāĻি āĻ āĻĒāϰিāĻšাāϰ্āϝ āĻ ংāĻļ।
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āĻāĻāĻি YouTube āĻূāĻŽিāĻা, āĻĒāϰিāĻিāϤিāϰ āĻāύ্āϝ āϏংāĻ্āώিāĻĒ্āϤ, āĻāĻāĻি YouTube āĻিāĻĄিāĻāϰ āĻļুāϰুāϤে āĻāĻāĻি āϏংāĻ্āώিāĻĒ্āϤ āĻ ংāĻļ āϝা āĻĻāϰ্āĻļāĻেāϰ āĻĻৃāώ্āĻি āĻāĻāϰ্āώāĻŖ āĻāϰে āĻāĻŦং āĻĒāϰāĻŦāϰ্āϤী āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āĻāύ্āϝ āϏুāϰ āϏেāĻ āĻāϰে।
āϝāĻĻিāĻ YouTube āĻূāĻŽিāĻাāϰ āĻুāϰুāϤ্āĻŦ āĻŦিāώāϝ়āĻŦāϏ্āϤু āύিāϰ্āĻŽাāϤাāϰ āĻļৈāϞী āĻāĻŦং āĻ্āϝাāύেāϞেāϰ āĻĒ্āϰāĻৃāϤিāϰ āĻāĻĒāϰ āύিāϰ্āĻāϰ āĻāϰে āĻĒāϰিāĻŦāϰ্āϤিāϤ āĻšāϤে āĻĒাāϰে, āϤāĻŦে āĻ āύেāĻ āύিāϰ্āĻŽাāϤাāĻĻেāϰ āĻূāĻŽিāĻাāĻে āĻŽূāϞ্āϝāĻŦাāύ āĻŽāύে āĻāϰাāϰ āĻŦিāĻিāύ্āύ āĻাāϰāĻŖ āϰāϝ়েāĻে:
1.āĻŦ্āϰ্āϝাāύ্āĻĄিং: āĻāĻāĻি āϏু-āĻĒāϰিāĻāϞ্āĻĒিāϤ āĻূāĻŽিāĻা āĻāĻĒāύাāϰ āĻ্āϝাāύেāϞেāϰ āĻŦ্āϰ্āϝাāύ্āĻĄ āĻĒāϰিāĻāϝ় āĻĒ্āϰāϤিāώ্āĻ া āĻ āĻļāĻ্āϤিāĻļাāϞী āĻāϰāϤে āϏাāĻšাāϝ্āϝ āĻāϰāϤে āĻĒাāϰে। āĻāϰ āĻŽāϧ্āϝে āϏাāĻŽāĻ্āĻāϏ্āϝāĻĒূāϰ্āĻŖ āĻিāĻ্āϝুāϝ়াāϞ, āϏāĻ্āĻীāϤ āĻāĻŦং āĻ āύ্āϝাāύ্āϝ āĻāĻĒাāĻĻাāύ āĻŦ্āϝāĻŦāĻšাāϰ āĻāϰা āĻ āύ্āϤāϰ্āĻুāĻ্āϤ āϝা āĻĻāϰ্āĻļāĻāϰা āĻāĻĒāύাāϰ āϏাāĻŽāĻ্āϰীāϰ āϏাāĻĨে āϝুāĻ্āϤ āĻāϰে।
2.āĻĒেāĻļাāĻĻাāϰিāϤ্āĻŦ: āĻāĻāĻি āĻāĻāϰ্āώāĻ āĻূāĻŽিāĻা āĻāĻĒāύাāϰ āĻিāĻĄিāĻāĻুāϞিāĻে āĻāϰāĻ āĻĒেāĻļাāĻĻাāϰ āĻ āύুāĻূāϤি āĻĻিāϤে āĻĒাāϰে৷ āĻāĻি āĻĻেāĻাāϝ় āϝে āĻāĻĒāύি āĻāĻĒāύাāϰ āϏাāĻŽāĻ্āϰী āϤৈāϰিāϤে āĻিāύ্āϤাāĻাāĻŦāύা āĻāĻŦং āĻĒ্āϰāĻেāώ্āĻা āĻāϰেāĻেāύ, āϝা āĻāĻĒāύাāϰ āĻŦিāĻļ্āĻŦাāϏāϝোāĻ্āϝāϤা āĻŦাāĻĄ়াāϤে āĻāĻŦং āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻাāĻে āĻāĻŦেāĻĻāύ āĻāϰāϤে āĻĒাāϰে।
3.āĻĻāϰ্āĻļāĻেāϰ āĻŦ্āϝāϏ্āϤāϤা: āĻāĻāĻি āĻিāϤ্āϤাāĻāϰ্āώāĻ āĻূāĻŽিāĻা āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻļুāϰু āĻĨেāĻেāĻ āĻāĻāϰ্āώāĻŖ āĻāϰāϤে āĻĒাāϰে, āϤাāĻĻেāϰ āĻĒুāϰো āĻিāĻĄিāĻāĻি āĻĻেāĻāϤে āĻāϤ্āϏাāĻšিāϤ āĻāϰে৷ āĻāĻি āĻী āĻšāϤে āĻāϞেāĻে āϤাāϰ āĻāύ্āϝ āϏুāϰ āϏেāĻ āĻāϰে āĻāĻŦং āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻŽāύোāϝোāĻ āϧāϰে āϰাāĻāϤে āϏাāĻšাāϝ্āϝ āĻāϰে āĻāϤ্āϤেāĻāύা āĻŦা āĻৌāϤূāĻšāϞ āϤৈāϰি āĻāϰāϤে āĻĒাāϰে।
4.āϏ্āĻŦীāĻৃāϤি: āϏāĻŽāϝ়েāϰ āϏাāĻĨে āϏাāĻĨে, āĻāĻāĻি āϏ্āĻŦীāĻৃāϤ āĻূāĻŽিāĻা āĻāĻĒāύাāϰ āĻ্āϝাāύেāϞেāϰ āϏāĻŽাāϰ্āĻĨāĻ āĻšāϝ়ে āĻāĻ āϤে āĻĒাāϰে। āĻĻāϰ্āĻļāĻāϰা āϤাāĻĻেāϰ āĻāĻĒāĻোāĻ āĻāϰা āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āϏাāĻĨে āĻূāĻŽিāĻা āϝুāĻ্āϤ āĻāϰāϤে āĻāϏāϤে āĻĒাāϰে, āϝাāϤে āĻāĻĒāύাāϰ āĻিāĻĄিāĻāĻুāϞি āϏāύাāĻ্āϤ āĻāϰা āĻāĻŦং āĻŽāύে āϰাāĻা āϤাāĻĻেāϰ āĻĒāĻ্āώে āϏāĻšāĻ āĻšāϝ়৷
5.āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āĻĒাāϰ্āĻĨāĻ্āϝ: āĻāĻāĻিāĻāĻŦ āϏাāĻŽāĻ্āϰীāϰ āĻŦিāĻļাāϞ āϏāĻŽুāĻĻ্āϰে, āĻāĻāĻি āĻূāĻŽিāĻা āĻāĻĒāύাāϰ āĻিāĻĄিāĻāĻুāϞিāĻে āĻāϞাāĻĻা āĻāϰāϤে āϏাāĻšাāϝ্āϝ āĻāϰāϤে āĻĒাāϰে৷ āĻāĻি āĻāĻĒāύাāϰ āϏাāĻŽāĻ্āϰীāϤে āĻāĻāĻি āĻ āύāύ্āϝ āϏ্āĻĒāϰ্āĻļ āϝোāĻ āĻāϰে āĻāĻŦং āĻāĻিāĻে āĻ āύ্āϝāĻĻেāϰ āĻĨেāĻে āĻāϞাāĻĻা āĻāϰে, āĻāĻি āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻāύ্āϝ āĻāϰāĻ āϏ্āĻŽāϰāĻŖীāϝ় āĻāϰে āϤোāϞে৷
6.āĻĒ্āϰāĻাāϰ āĻāĻŦং āĻ্āϰāϏ-āĻĒ্āϞ্āϝাāĻāĻĢāϰ্āĻŽ āϏাāĻŽāĻ্āĻāϏ্āϝāϤা: āĻāĻĒāύি āϝāĻĻি āĻāĻĒāύাāϰ āĻিāĻĄিāĻāĻুāϞি āĻ āύ্āϝ āĻĒ্āϞ্āϝাāĻāĻĢāϰ্āĻŽ āĻŦা āϏোāĻļ্āϝাāϞ āĻŽিāĻĄিāϝ়াāϤে āĻļেāϝ়াāϰ āĻāϰেāύ, āĻāĻāĻি āϧাāϰাāĻŦাāĻšিāĻ āĻূāĻŽিāĻা āĻāĻāĻি āϏāĻŽāύ্āĻŦিāϤ āĻŦ্āϰ্āϝাāύ্āĻĄেāϰ āĻāĻĒāϏ্āĻĨিāϤি āĻŦāĻাāϝ় āϰাāĻāϤে āϏাāĻšাāϝ্āϝ āĻāϰে৷ āĻāĻি āĻāĻāĻি āϏ্āĻŦীāĻৃāϤ āĻāĻĒাāĻĻাāύ āĻšāϝ়ে āĻāĻ ে āϝা āĻĻāϰ্āĻļāĻāϰা āĻāĻĒāύাāϰ āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āϏাāĻĨে āϝুāĻ্āϤ āĻāϰāϤে āĻĒাāϰে, āϤাāϰা āϝেāĻাāύেāĻ āĻāĻিāϰ āϏāĻŽ্āĻŽুāĻীāύ āĻšāύ āύা āĻেāύ।
7.āϰূāĻĒাāύ্āϤāϰ: āĻāĻāĻি āĻূāĻŽিāĻা āĻāĻĒāύাāϰ āĻĨাāĻŽ্āĻŦāύেāĻāϞ āĻŦা āĻļিāϰোāύাāĻŽ āĻĨেāĻে āĻিāĻĄিāĻāϰ āĻĒ্āϰāĻৃāϤ āĻŦিāώāϝ়āĻŦāϏ্āϤুāϤে āĻāĻāĻি āĻŽāϏৃāĻŖ āϰূāĻĒাāύ্āϤāϰ āĻšিāϏাāĻŦে āĻাāĻ āĻāϰāϤে āĻĒাāϰে। āĻāĻি āĻĻāϰ্āĻļāĻāĻĻেāϰ āϏ্āĻĨিāϰ āĻšāĻāϝ়াāϰ āĻāύ্āϝ āĻāĻāĻি āϏংāĻ্āώিāĻĒ্āϤ āĻŽুāĻšূāϰ্āϤ āĻĒ্āϰāĻĻাāύ āĻāϰে āĻāĻŦং āϤাāĻĻেāϰ āĻŽূāϞ āĻŦিāώāϝ়āĻŦāϏ্āϤুāϰ āĻāύ্āϝ āĻĒ্āϰāϏ্āϤুāϤ āĻāϰে।
āϝāĻĻিāĻ āĻāĻāĻি YouTube āĻূāĻŽিāĻা āĻāĻāĻি āĻŽূāϞ্āϝāĻŦাāύ āĻšাāϤিāϝ়াāϰ āĻšāϤে āĻĒাāϰে, āĻāĻি āĻāĻāĻি āĻাāϰāϏাāĻŽ্āϝ āĻŦāĻাāϝ় āϰাāĻা āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ। āĻ āϤ্āϝāϧিāĻ āĻĻীāϰ্āĻ āĻŦা āĻ āϤ্āϝāϧিāĻ āĻāĻিāϞ āĻূāĻŽিāĻা āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻšāϤাāĻļা āĻŦা āĻ āύাāĻ্āϰāĻšেāϰ āĻাāϰāĻŖ āĻšāϤে āĻĒাāϰে। āĻ āύেāĻ āϏāĻĢāϞ āύিāϰ্āĻŽাāϤাāĻ āϏংāĻ্āώিāĻĒ্āϤ, āĻāĻāĻāĻĻাāϰ āĻূāĻŽিāĻা āĻŦেāĻে āύেāύ āϝা āĻŽূāϞ āĻŦিāώāϝ়āĻŦāϏ্āϤুāϤে āĻĻেāϰি āύা āĻāϰে āĻĻ্āϰুāϤ āĻĻāϰ্āĻļāĻāĻĻেāϰ āĻāĻৃāώ্āĻ āĻāϰে। āĻļেāώ āĻĒāϰ্āϝāύ্āϤ, āĻāĻāĻি YouTube āĻূāĻŽিāĻাāϰ āĻাāϰ্āϝāĻাāϰিāϤা āύিāϰ্āĻāϰ āĻāϰে āĻāĻি āĻāĻĒāύাāϰ āĻ্āϝাāύেāϞেāϰ āϞāĻ্āώ্āϝāĻুāϞিāϰ āϏাāĻĨে āĻāϤāĻা āϏাāϰিāĻŦāĻĻ্āϧ āĻāĻŦং āĻāĻĒāύাāϰ āϞāĻ্āώ্āϝ āĻĻāϰ্āĻļāĻāĻĻেāϰ āϏাāĻĨে āĻ āύুāϰāĻŖিāϤ।
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